Musical Musings are not EZ

Moyes' Monday Musical Musings

I started this post on Monday, November 11, 2024. I am just now, evening November 15, getting around to posting it. 

Del Shannon’s debut single, ‘Runaway,’ written by Shannon and keyboardist Max Crook, released on my father’s birthday, February 18, 1961, was a major international hit topping the Billboard charts for four consecutive weeks ending the year as the number five song for 1961. It was also one of my favorite songs through my early teen years. The song has been covered by The Lawrence Welk Orchestra, Elvis Presley, Bonnie Raitt, the Traveling Wilburys, and many others. Del Shannon re-recorded ‘Runaway’ in 1967, 1986, and 1987 (recorded live on the David Letterman Show with Paul Shaffer and the World’s Most Dangerous Band. It was used in American Graffiti in 1973 and in Good Will Hunting and Eddie and the Cruisers. Shannon’s 1987 remake was used as the opening theme for the Crime Story television series, and in Dexter: New Blood on Showtime. Tom Petty mentions the song in Runnin’ Down a Dream, as does the group Barenaked Ladies in When You Dream. Genesis sampled a bar in their song In the Cage.  

Runaway. Photo by Kate Darmody on Unsplash

While listening to ‘Runaway’ tonight, I was struck by the similarity in the message with that in the lyrics of another very popular song from the 1960s that I continue to enjoy very much: ‘Sukiyaki’ (U.S. title) or ‘Ue o Muite Arukō,’ by Kyu Sakamoto. While the musical styles are very different, there is a similarity in the feeling they present the listeners, along with the message of the lyrics, although I find ‘Sukiyaki’ to be more authentically melancholy.

Compare the lyrics, below, or even better, listen to them on YouTube at https://youtu.be/ttpzuzkD6NQ?si=Fb5VwUViiUkTBWFW and 

https://youtu.be/C35DrtPlUbc?si=xi1x5s2yWPC0eTgZ .  

‘Ue o Muite Arukō’ is sung in Japanese on this YouTube version, but the English lyrics are displayed to read.

Like ‘Runaway,’ ‘Sukiyaki’ was released in its home country in 1961. For ‘Ue o Muite Arukō,’ that country was Japan. It didn’t hit the U.S. market re-titled ‘Sukiyaki’ until 1963. It quickly became an international chart-topper, spending three weeks in the number one spot on the American Billboard Charts in June of 1963, and eventually one of the best-selling singles of all time, selling over 13 million copies. NASA used an instrumental version as mood music for the astronauts aboard the Gemini VII spacecraft, making the song the first known piece of human music played in space. It has been the subject of a Google Doodle. Credit for ‘Sukiyaki’ goes to composer Hachidai Nakamura and lyricist Rokusuke Ei. The song has been remade or covered by numerous artists, with the January 1981 single release by U.S. group A Taste of Honey reaching number one on Billboard’s Adult Contemporary chart and number three on the Billboard Hot 100.

Lyrics, Runaway (https://genius.com/Del-shannon-runaway-lyrics)

 [Verse]

As I walk along I wonder

A-what went wrong with our love

A love that was so strong

And as I still walk on

I think of the things we've done together

A-while our hearts were young

 [Chorus]

I'm a-walkin' in the rain

Tears are fallin' and I feel the pain

A-wishin' you were here by me

To end this misery and I wonder

I wah-wah-wah-wah-wonder, why

Why, why, why, why, why she ran away

And I wonder a-where she will stay-ay

My little runaway, a-run, run, run, run, runaway 

Lyrics, Sukiyaki (https://www.azlyrics.com/lyrics/kyusakamoto/sukiyakiuewomuitearukou.html) Note: This translation of the lyrics is slightly different than those displayed on YouTube.

 [English translation:]

I look up while I walk

So the tears won't fall

Remembering those spring days

But tonight I'm all alone

I look up while I walk

Counting the stars with teary eyes

Remembering those summer days

But tonight I'm all alone

Happiness lies beyond the clouds

Happiness lies above the sky

I look up while I walk

So the tears won't fall

I cry while I walk

For I am alone tonight

Remembering those autumn days

But tonight, I'm all alone

Sadness hides in the shadow of the stars

Sadness hides in the shadow of the moon

I look up while I walk

So the tears won't fall

My heart is filled with sorrow

For tonight I am alone

For tonight I am alone

Shannon’s ‘Runaway’ is also renowned in the music industry for the first use of the very distinctive sound of the electronic instrument called the Musitron, an instrument created and played by co-author Crook. The very unusual piercing and crescendoing sound of the Musitron is very obvious in the song’s bridge between verse and chorus.

A Walk on a Rainy Night. Photo by Khamkéo on Unsplash

‘Sukiyaki’ is renowned for being the first Japanese song to do well with American audiences since before World War II. In 1963 we were less than 20 years from the end of that horrendous struggle which cost many lives and much wealth. Americans were still sensitive. ‘Sukiyaki’ came to our shores at the same time that Japanese electronics and automobiles were being newly introduced. The cars and the electronics became well accepted within a relatively short time, primarily due to the value they offered. ‘Sukiyaki’ remained the only Japanese hit to have reached the American Billboard list for several decades. I find this fact ironic, as Rokusuke Ei did not write the lyrics as a lost love song, as it seems. Rather, it was to express his sadness over U.S. domination of Japan in the early 1960s. He actually first put the lyrics to voice while walking home (in the rain) from a student demonstation against the American presence in Japan.

References from which I have heavily borrowed for these musings:

Medium. (2019). Medium. http://medium.com, “Del Shannon’s ‘Runaway’ and the Mystifying Sound of the Musitron, Excerpt from ‘200 Greatest 60s Rock Songs’’, Edgar Street Books as published in The Riff.

 Kyu Sakamoto - Sukiyaki (Ue Wo Muite Arukou; 上を向いて歩こう) Lyrics | AZLyrics.com. (n.d.).

Www.azlyrics.com. https://www.azlyrics.com/lyrics/kyusakamoto/sukiyakiuewomuitearukou.html

Del Shannon – Runaway. (2022). Genius. https://genius.com/Del-shannon-runaway-lyrics

Wikipedia. (2014). Wikipedia.com. http://wikipedia.com

 

Even Happiness is not Easy

 

Some years back, a charter member of the my writers group, Gregory Kaspar, wrote of his mother, Josephine Bsales Kaspar, and we published one of her works in our 2020 Encore Writers Group Anthology, There be Writers Here, which can be found as ISBN 9798699228393 and is available for purchase on Amazon.

I may have shared that my mother also did some writing. Since I’ve not lately been able to find my voice to write, I thought I should at least share some of her work with this august body.

My mother, Laura Florence Rasmussen, born into this life in a log cabin during the cold, bleak days of February 1909, grew up on a small family farm along the banks of the Snake River near Burley, Idaho. She graduated from high school in 1927, one of the first in her bloodline to have done so. I remember her telling me in my youth a little of her memories of high school days and especially fondly recalling her senior year drama class production of Shakespeare’s A Midsummer Night’s Dream, a production in which she had a speaking part. Considering what I have learned over the years about this fantastical work of stagecraft, I wonder how it was presented and how well it was received in 1927 by the parents of the students in this mostly Mormon community. Well, things were thoroughly modern by then, if you believe the lyrics as sung by Julie Andrews in 1967, and had, according to Richard Rogers in an earlier work, “…gone about as fer as they can go.” I do know that she knew how to dance both the Charleston and the Lindy and would occasionally demonstrate those dances for me, usually in our kitchen while wearing an apron. At Grange Hall dances I never saw my father dance anything but the waltz, the two-step, or the round-a-bouts of square dancing. Other than those occasions, I never saw him dance at all!

 

During the early 1950s, my mother was regularly published in a weekly article in the Sunday edition of the Twin Falls, Idaho Times News. I very clearly recall seeing clippings of some of her pieces when I was a pre-teen and her telling me what they meant. She wrote in a humorous and satirical vein about the weather, local government, buyers (sometimes sharp) dealings with farmers, and associated gossip in a column called ‘Pot Shots,’ as if she were a citizen writing to the editor, signing her missives with the pseudonym Sy Clone. I especially remember one article from a clipping harpooning a local city council's decision to eliminate the public bus system in Twin Falls. A decision that was finally reversed in 2023 to meet Federal requirements. Sadly, I have been unable to reproduce any of those clippings in that small-town newspaper’s archives. I can find digital online photos of the paper’s pages with the ‘Pot Shots’ column heading clearly visible, but nothing else is readable in those copies.

 

She also wrote poetry. She said the word, ‘poetry’ only applied in the loosest terms to her work. So far as I know, none of the poems were ever published. Amongst my keepsakes is an e-document of 60 pages with her musings. This was originally in a journal in her handwriting but has been transcribed by my niece. As the daughter of my eldest sibling, she has custody of the original. Many of my mother's short poems are whimsical. Probably none rise to the level of ‘literature.’ Nevertheless, I will share a few samples here. I am copying them as they are transcribed to my e-document, spelling and punctuation unchanged.

 

For reasons I will explain after this first example, I start with a poem she titled Inspiration. It is the 28^th entry in the collection. Were I a poet, I may have written this with my mother as subject.

 

Inspiration

 

Among my mother’s virtues,

The thing I love the best,

How vividly, I recall

Her radiant happiness.

 

Always, as she did her work,

She hummed a lively song;

And to me her singing seemed

To speed the work along.

 

Now, that she is laid to rest,

And from her I sadly part,

Still her joyous singing

Will live on in my heart.

 

And often now, I sadly wish,

When everything goes wrong,

I could rouse from life’s nightmares

And waken to her song.

 

But then I stop to ponder,

That I, too, must be strong

And fortify mine own heart

With glad, inspiring song!

 

Laura Florence R. Moyes

 

Now, my reason for choosing this piece as my first to represent her work: First and foremost, some of my earliest childhood memories are of the sound of Mother singing happily as she worked in her brightly sunlit kitchen. Her movements over the cheap linoleum flooring were dance-like as she baked or cooked or just simply cleaned. Her kneading of bread dough on the yellow and white Formica countertop was always in rhythm with her singing. For such strenuous work, she would select a lively and rhythmic song such as Harry Belafonte’s version of “Day-O (The Banana Boat Song).” Lighter work might be accompanied by a work such as Billie Holliday’s “On the Sunny Side of the Street,” or Debbie Reynolds’ “Singin’ in the Rain.” She knew all the words by heart.

 

I mentioned that her singing seemed happy. Her voice rang clear and as bright as the sunlight streaming through the kitchen windows. The second thing influencing my selection is, my mother had a rough life with much hardship and some tragedy, as did her mother. In neither case should the happiness in their voices be taken for granted. Reading the above poem, with my mother talking about her mother’s happy singing and referencing life’s nightmares is, to me, reflective and insightful of the human condition. That bright, streaming sunshine has the power to reveal dust particles afloat in the air and old stains and smudges on the bright beige, yellow, green, and blue linoleum. Sadness and disappointment must have been hidden behind hope and faith in their voices.

 

Now, to lighten the mood a bit, I will share some of her more whimsical work.

 

Call on Carter

 

When you all get married,

And I know you all will

And your hubby gets grouchy

Tho he's not really ill-

Hop in your car - step on the starter

And hurry to visit Mr. Earl Carter.

 

Why visit this gent, you might ask

He'll give you something in a flask

The contents will fill your man with cheer

No, it isn't just a glass of beer.

This something will make your man happy

So happy you will think he's sappy.

 

He'll feel so good - I just know

He'll want to take you to a show;

Next morning he'll rise early - maybe

And even offer to tend the baby;

And when his blues all disappear

He'll even call you honey-dear.

 

What is Carter's miracle in the flask

Ladies, you will want to ask,

This stuff that takes away all ills

It's - Carter's little liver pills!

 

Florence Moyes

 

As it is getting late this Tuesday evening, and I have miles to go before I sleep—but I exaggerate as I plagiarize Robert Frost—I am only about 30 feet from my bedroom. I will end with only one more entry from her work. I could tell you much more of her life and some of the life of her mother, but I will leave that for another time.  Here’s the last entry for tonight:

 

 

Ga-Ga

I'm almost going ga-ga

Listening to the radio's blaa-blaa

So instead,

I'll go to bed.

 

L. F. M.

 

 

The Year of Our Discontent

NOT EASY

I’ve not been able to write for some time. A couple years ago, it was my favorite activity. But I’ve been off.

2024 has not been an easy year. In truth, I guess, things haven’t been great for several years. I am at that stage of life that things change quickly and my level of control over those changes seems minimal. It has been said that growing old ain’t for the weak.

Some Mornings are Not EZ.

I awoke this morning thinking that I did not feel well by any measure. 

Physically, I felt fatigued and achy. My digestion wasn't behaving well.

Emotionally, I felt drained, down, and blue.

Intellectually, I felt like I had given up.

Spiritually, I felt empty. I would not have known how to answer if someone asked my why I existed.

But still, nature called. My loyal and loving fluffy white dog, Dak, needed his morning walk. With effort, I slowly dressed and donned my hat and coat. Gathering the clean-up bags, training treats, and his leash along with my strength, I called him. With the leash secured to his harness, at the speed of a snail, we were off.

My canvas slip-ons made a chuff-chuff sound. I saw the cracks in the concrete walkway, rabbit droppings and discarded gum wrappers littered the path as I shuffled along, head down. I did not feel any spring in my step. The chill morning breeze knifed through my light fleece jacket. 

'Why,' I wondered, 'do I even bother with this. Dak could do his business in the back yard without me.'

As I drew a deep sigh, something to my right, a flash of light, caught my attention. I stopped and shifted my view up and to the East. And there it was. A stunning sunrise. Not yet  above the Superstitions, the sun's golden-yellow presence was making itself felt in a halo over the mountains. The powerful light turned the wispy overhead cirrus clouds to magnificent shades from gray to purple to pink to almost white. The night sky was yielding to a graduated blue – lighter on the horizon and darker directly above. The golden glow of the morning sun was reflected about me. The plain, gray concrete walk even glowed with a reddish tint. This was just what I needed.      

In this sunrise, in an instant, God showed me beauty all around that I had temporarily forgotten existed. It lifted me.

  Photo by Steve Baune. Mesa, AZ. December 16, 2023. Used with permission.

Physically, I didn't feel much different, but the body aches and grumbly tummy didn't seem so important any more.

Emotionally, as I looked up, I felt up.

Intellectually, it seemed there was much to do, and enjoy this day.

Spiritually, thankful. Perhaps I had a smile or an encouraging word to share with someone who needed it.

For this, and so much more, I am thankful to my God.

Pronouncing Giclée is not EZ

Today I learned that giclée (pronounced zhēē-clay) is an English word coined to describe high-quality ink-jet printer art. It was derived in the early 1990s and was based on the French word gicleur, a word from the automotive or mechanical trades meaning jet or spray. I've also learned that to type the accented e used as the fifth letter in giclée using a Windows computer, you must hold down the 'alt' key while entering the ASCII code for é, 0233, using the keyboard's number pad. That letter has what is known as the 'acute accent' and it is pronounced more or less like a long a, ā, in English. Only the number pad works for this. The numbered keys across the top of the keyboard won't work and in fact, seem to do nothing whatever when the 'alt' key is held down. This is in keeping with the universal law, as implemented by Microsoft, that nothing is ever as easy as it should be.

The casual reader may note I have wasted a good deal of my day learning these few trivial facts and wonder: Why? I will explain. 

But first I must say I do not find this a waste of my time. I learned something new! What I haven't learned, yet, is this: Why does giclée use an acute accented e while the French word it was derived from, gicleur, does not? Such perverse facts do not increase my understanding of the English-speaking world's interface with the French way of life. 

I began my in-depth research of this arcane topic after reading an article this morning written by native Idahoan, Rick Just, in his daily Idaho history blog, Speaking of Idaho. Rick told of noted 19th-century artist Thomas Moran. Rick tells us that Mr. Moran was one of the few artists of his time well-known for depicting the scenery of the Rocky Mountains in still-life works. His media of choice was often watercolor. One of Mr. Moran's works mentioned by Mr. Just got my attention. The work, painted by Thomas Moran in watercolor in 1900, is titled Shoshone Falls on the Snake River, Idaho. The original is now in a museum in Tulsa, Oklahoma, the legislature of Idaho having failed to appropriate $10,000 to purchase the work when offered by Mr. Moran's estate after his death, in 1926. That original is valued at many hundreds of thousands of dollars.

My parents lived less than one mile from Shoshone Falls in 1950 when I was born in Twin Falls, Idaho. As I grew up, we often picnicked and played in the park near the top of the falls in the Snake River Canyon. Rick's article included a link to the work. Clicking that link, I found a picture of a work of art of which I happen to have a framed giclée print displayed on the wall in my home. 

Here's what I am proud of: My framed print of Mr. Moran's work is displayed alongside a print of a photograph of Shoshone Falls that I captured on a Sony digital camera in 1997. The perspective of the image in the photo is nearly identical to that in Mr. Moran's work. In the century since Mr. Moran painted Shoshone Falls, the water flow has been greatly diminished as the Snake River has been dammed upstream and water has been diverted for municipal, industrial, and agricultural uses. Mr. Moran's painting shows the falls in tumult with a very heavy flow. In 1997, I was blessed to be able to capture my image of the falls early in the spring after an unusually wet winter with heavy snowfall in the mountains. So even the cascade of the water looks similar in my photograph. 

Presented here, for your viewing enjoyment, is an image of the famous (and valuable) 1900 work of art by Mr. Thomas Moran (1837-1926) along with an image of the photograph captured in 1997 by the unknown and unappreciated author of this piece. 

Shoshone Falls on the Snake River, Idaho. Watercolor, 1900, Thomas Moran

Shoshone Falls on the Snake River, Idaho. Photograph, 1997, Dan Moyes

This original photograph is now valued at a quarter of one dollar.

Oh, and after more painstaking research, I have now learned the reason the acute accented e is used in giclée and not in the French original: The accented e was added to avoid confusion with the French street slang word giclee which is used to refer to male ejaculate. Now I am sorry I learned this. Such perverse facts do not increase my understanding of my world's interface with that of the artist. Thank you, Microsoft Copilot, for your AI search of this topic to enlighten me. 

And thank you, reader, for your time. 

 

The Mexican Adventure Was Not EZ

Dramatized Non-Fiction

December 1, 2023

1466 Words

Chapter One – Huntsville, Utah Territory, Forty miles NE of Salt Lake City, May, 1892 

The piercing cry of the Spruce Hawk rang out in the humid morning air over the mountain slopes on the east side of the Wasatch Ridge in the Uintah Mountains. James Moyes had already been up and at work for several hours, stripping bark from cut white pine logs using a sharp bill hook. Pulling off his leather hat, he wiped the sweat from his brow with his rough, denim sleeve. He could taste the salt from the sweat on his lips. Jim knew that the local natives revered the Spruce Hawks. The Uintah Indians had taught that these hawks were a messenger from the divine, telling their people to be vigilant, look at all the facts, and use inherited wisdom to figure out what the universe was trying to say. In his Mormon culture, he knew the elders would say to listen to the promptings of the holy spirit. So far, the spirit hadn’t chosen to tell Jim much about the current situation. 

Right now, Jim was just trying to figure out what was going on in the mind of his elder brother, William. 

Jim didn’t know if anything had ever been more confusing or harder to understand than what William had told him just that morning. Jim had lived nearly thirty years. He had traveled from Glasgow to Utah as a mere child. Now married to Elizabeth for more than five years, they had shared the devastating loss to illness of their first two children. He’s seen much that was hard and confusing, but Jim could make some sort of sense of all that. But this? This new idea of Bill’s just didn’t seem to make any sense at all! Bill and Jim shared middle names, Gowans, from their mother’s family name, but it was becoming apparent to Jim that name may be all they shared. That and sore backs and blistered hands from working timber six days a week. 

Across the small, newly cleared space of the forest floor, Bill put down his axe. Pulling off his own, sweaty hat, he crossed the fresh clearing, skirting downed and stripped pine logs. Later, he and Jim would bring the oxen up from their place near Huntsville and drag the huge logs, one at a time, down the mountain to Bill’s water-powered sawmill, on the banks of Wolf Creek. 

After a long drink from their shared canvas water bag, Bill called to Jim, “These are good logs, Jim, but it’s a long way to drag ‘em down to the mill from here. If we were stayin’ in Utah we’d have to move even further up toward Ben Lomond to find decent-sized stands. I’m glad we’re leavin’ for Mexico!” 

There it was. Bill’s hairbrained idea.

“Aw, Bill, listen for once. That’s plum crazy! We can’t just up and move to Mexico, lock, stock, and barrel. Cogitate on this, man! You’ve got a wife and four young ‘uns. You got a 10-year lease with harvest rights on this stand of mountain timber and a fine working sawmill here. Our old man and Uncle Robert run the biggest lumber yard in northern Utah, sellin’ your planks for hard cash as fast as we can rip ‘em from the pine logs and your eight oxen can haul ‘em down the canyon to Ogden. Talk about crazy! Who’s Pa gonna buy his lumber from if not us? I know you’re my elder brother and my boss and all, and I mean no disrespect, but man, if I’ve ever seen crazy, this is it! What do you know about Mexico, anyway? What’s there that’s better than what you got here?” 

“And, Bill, you know us leavin’ will break Ma’s heart!”

“Jim, Jim, Jim. Don’t be tryin’ to talk me out of it. And don’t be gettin’ all emotional. I am pretty well set on this. You remember Brother Charles Holm? He was with us on the train from New York to Wyoming and then in the Mumford Wagon Company from Wyoming to the Salt Lake Valley way back in ’68, one of our messmates. Why, he’s one of the finest men I’ve ever known. Remember? He was a bit older than us, but he pitched in and helped Ma and Pa and us boys, even pushin’ the wagon when we got bogged down in the mud up in Parley’s Canyon.” 

“Yeah, be that as it may, I remember him. I thought he was a LOT older than us—wasn’t he Danish or some such? Never mind that. What’s old Charles got to do with this?” 

“Well, Jim, he just came back from Mexico. I ran into him down at the Tabernacle in Ogden last Sunday. He says there are the most beautiful, green stands of tall, straight pines you’ve ever seen up in the Sierra Madre Mountains of Mexico above Colonia Diaz. All the new Mormon settlers there are strugglin’ to build homes and barns ‘cause they got no way but hand rip-saws to turn logs into lumber. Why, he reckons’ they’ll pay two- or three-times Ogden’s goin’ rate, for good lumber. The Governor of Chihuahua has already said he’d issue a timber harvest license to anyone who could handle the business. We can do it! Why, I tell you, this could be our gold mine!”

“Yeah. You mean YOUR gold mine! That all sounds good, Bill, but we ain’t seen it with our own eyes! You can be so bull-headed! Once you get an idea in that head of yours…” 

“Brother Holm ain’t gonna lie to me, Jim. He’s an honorable man of rectitude.” 

“Even so, Bill, how you gonna get us there with a sawmill and everything we need to live and work?” 

“Jim, I don’t got to tell you, it’s 1892 now. There’s the iron horse and rail lines. We don’t have to depend on mules and wooden-wheel wagons like back in the day with Mumford and Company. Business has been good. I’ve been saving. I’ve got some cash, and I can sell this timber lease for good money. There’s a D&RG/W train line that runs from Ogden down through the Arizona and New Mexico territories, then meets up with the Ferro Carril Mexicano and runs right to Los Trios, and that’s less than 50 miles from Colonia Diaz. Shoot, a train runnin’ full steam can get there in just a few days! We can hire a mule train from there to take the mill up into the mountains.” 

“What? You gonna hire the whole train?” 

“As much as I got to, Jim, to get the mill, our livestock and tools, me and Sarah and the kids, you and Lizzy down there. I figure one flat car and one box car will do—the mill ain’t so big once we take it apart. We can ride in the boxcar with the livestock. We don’t need no first-class passage. Remember steerage on the leaky old Emerald Isle from Liverpool? We survived that, didn’t we? And we were just kids, then. Ma even gave birth to our little sister, Elizabeth, may she rest in peace, in that steerage. We’ve come a long way from Glasgow for a couple Sawneys. This is a short move compared to what we’ve already done. I’ve checked the cost with the rail agent—I can pay. ‘Course, I admit that’s one way. We get there, we got to work hard, ‘cause there won’t be ‘nuff money left to bring us back. It may be a tight scratch. I ain’t worried, though. I hear nothing but good things about life in Colonia Diaz. Some good families have settled there, and we know some of them, like the Taylors and the Romneys. And if we need a little help for a few days, the Saints there will pitch in to sustain us—they need us. They can’t get on with the Lord’s work pretty well if they gotta live in dugouts and can’t build homes. Why, with this fine mill in operation, a state timber harvest license, good, strong oxen to haul the lumber down to the town, and our strong backs, what could be easier? We can hire a couple locals as cheap labor. We’ll be in tall clover!” 

“Oh, Bill! Why get into a scrape? What does Sarah think of this plan? You just got your place in Huntsville to feel like home, and my cabin’s okay, Lizzy likes it, for aught I know. I’m happy here.” 

Laying his right hand gently on Jim’s left shoulder, Bill says, “Be that as it may. Sarah will do as she’s told. Let’s pray about it, Jim. But I think we both know the answer.” 

And so began the journey of William Gowans Moyes, my grandfather, and his family into the frontier of Mexico.

EZ’s Travelogue - Barcelona Saturday Morning

Saturday, October 14, 2023. Gothic Quarter, Barcelona, Spain.

I am feeling somewhat better today after a more than three-day-bout with raging dyspepsia. Much Immodium has been employed. Nancy, our travel companion, was first afflicted Monday through Wednesday, slowly returning to ‘normal’ by mid-day Friday. She was able to take the Friday evening sunset cruise we had booked earlier. Not me. My worst was Wednesday through Friday, with some grumbles remaining this morning. But, at least this morning, I feel like I have some control, which I have missed for a few days. Glenda has not been ill, but we didn’t feel it fair to Nancy to send her on the cruise without me to help. Nancy did get some nice photos which she has promised to share. We don’t think the stomach illness was food- or water-borne as Glenda has had pretty much the same diet and water and she hasn’t been ill at all, so probably a ‘stomach flu’ we picked up somehow. I’m SO glad we paid to be 5800 miles from home to be ill for a week.

Despite the horrors being unleased in Israel right now, all seems normal and peaceful in Barcelona. The weather has been dry and sunny, with highs near 80F and lows in the mid-60s (18-26C). The forecast is for rain a few days next week, and the locals are pleased about that, as the region has been in the grips of an historic drought.

View from in front of our temporary morada in the Gothic Quarter

Barcelona is a much different place in the early mornings. I walked out around 7:30am to go to a 24-hour Farmacia for a few essentials. It was as dark as midnight. Sunrise is predicted for a few minutes after 8am and there was no glimmer of dawn visible at 7:30. This is such a change for me from the Phoenix area, where sunrise tomorrow will be around 6:30am and the sky turns dawn pink well before 6:00. The carrer and La Rambla of the Gothic Quarter were no longer crowded in the early morning, but were far from deserted. Few places are open: an occasional early morning cafe’, a small number of establishments still catering to the remnants of last night’s party crowd. Taxis are present, but mostly immobile, their drivers leaning against their cars, smoking. Nearly everyone not in motion is lost in their phone screen. A couple of whores on La Rambla are still trying to make their night’s Euro. One, a very tall and leggy blonde calls out, “Hola” to me. Her voice is deeper than mine. A few Goth trannies stroll by. One, dressed in black leather miniskirt and bikini top with red fish-net nylons, has a beautiful, thick, black beard.

The Farmacia has the body wash and wet wipes I came for. It seems, from the displays there, that the main stock in trade at this hour has been lube and condoms. Viagara is prominently featured, at a shocking Euro120/100mg tablet. I stop at a cafe’ for a morning beverage and decide to try a churro. That was a disappointment—soggy with no hint of sugar or cinnamon. Oh, well—most of the food and drink we have had has been excellent, so far. I think, ‘the gelateria I passed on the way here may have something for my taste buds.’ But, by the time I was back to that location, they were closed until morning opening at 11:00am.